Semiotics of the Art Medium

Artworld and Art Market Culture

Not-Art
(Sometimes looks like Art)
Art (Positioned against Not-Art)
Ironization, subversion, or deconstruction?
Decorative art
Non-decorative
Yes: Warhol, Salle, Taafe, Koons
Advertising, pop media art
Intentionally non-mass media, difficult, insider coding
Yes: pop art, Warhol
Mass-produced (mainstream posters, shopping mall galleries, commodities)
Unique objects, carrying signs of artist's work, intervention of hand
Sometimes: ironic use of consumer objects and images
Mass culture, middle class notions of beauty, design, and "aesthetics"
Avoids beauty and aesthetics (as kidnapped by mass culture). Strategies used: intentions and interventions often "ugly," coarse, rough, inelegant, primitive, outsider
Sometimes
Kitsch (easy and easily reproducible visual clutter, often sentimental or politically correct)
Subversion of sentimental and received ideologies
Yes: Koons


Case Studies: Encoding of Material Medium
  • All art media is subject to the already-encoded value system from traditional high-art media (oil paint, marble, etc.) through modern materials (acrylic paint, steel/metals, plastics, lighting, film, video, etc.) to outside and newly introduced materials (organic, industrial, found, biological, excrement, food, digital processes).
  • All are constantly being repositioned in a network of systemic relations (mediology).

Antoni Tapies

Use of debased materials, recreating common objects and forms (walls, graffiti, worn and aged objects), primitive gestures and archetypal gestures and marks.


Andy Warhol
  • The Piss Paintings (Oxidation Paintings): acrylic ground, metallic paint, urine on canvas panels.
  • Especially the Oxidation Painting of 1978 with diamond dust: a Warhol tour de force.
    • Merging of high/low, sacred/profane, ideal/excrement, diamonds/urine
  • Warhol's revenge on abstract expressionism? Piss and cocks as painting tools, humiliation of action painting and macho swagger of Pollock and company.
  • In the process, created amazing abstract works with metallic and chemical oxidation.
  • Commentary on the "piss works" tradition in painting.
  • Warhol works and prices at Sotheby's

Other Cases: Rauchenberg, Johns, Hesse, Serra


Traditional High Art Medium: Prints

Helen Frankenthaler, woodcut print, Cedar Hill (1983), Crown Point Press

Sean Scully, etching with aquatint, Sotto Voce (1988), Crown Point Press

 


Martin Irvine, 2002