CCT 510
Spring 2005

Professor Martin Irvine

Week 1
Introductions: Approaches to the study of visual culture

Prepratory Reading and Assignment for For Week 1

Assigment for Week 1 (bring to class meeting)

  • Make an inventory of the kinds of visual information, visual media, mass media, and visual art forms that you observe in a day. It will be your personal catalogue of a day's visual culture experience (street information, TV, movies, advertising, photography, art [originals or reproductions], architecture and design, etc). How many visual genres do we encounter in an ordinary day in a city like Washington? Bring notes to class for discussion.
  • Read more on visual culture and everyday life.

Begin reading William Gibson, Pattern Recognition

Cayce Pollard, the main character of the story, is a corporate image maker and hired-gun "cool hunter," a visual identity and logo guru, a street-smart semiotician--in short a contemporary visual culture authority minus the academic baggage. The novel is a romp through contemporary visuality, communications, and information technology with incisive observations on media, software, memory, history, identity, and the marketing-saturated visual culture of today.

Cayce "knows too much about the processes responsible for the way product is positioned in the world, and sometimes finds herself doubting that there is much else going on."

Introduction: Lecture Notes/Discussion Topics

Visual Culture Theory Map

Visual Culture and Everyday Life

Visual Culture Slide Show: Case Studies for Discussion

 

Additional Visual Theory Reference Points:

Representational Codes: Representing Representing, Depicting Depicting

Doing Things with Images: Statement, Representation, Reference, Image, Sign