FARAH GRIFFIN

UNIVERSITY OF PENNSYLVANIA

ENGLISH 285


VENUS RISING: FICTION, CRITICISM AND THEORY BY BLACK WOMEN

This seminar is an introduction to the diverse concerns of contemporary literature, criticism and theory written by black women from throughout the African Diaspora. Each unit will start with a work of fiction, poetry (and perhaps photography or film) and then go on to explore important critical and theoretical essays that share the concerns of the creative texts. However, throughout the course our readings will challenge such strident boundaries between creative, critical and theoretical. Questions of history, narrative, memory and resistance will guide our discussion of each reading.
The seminar is designed as a workshop; its success is dependent upon your attendance, participation and engagement. All of us are expected to attend class, read every assignment carefully and come prepared with comments and/or questions. No question or comment is stupid or unworthy of our atten- tion. At times we will encounter very difficult reading and this requires that we be prepared to work through them together. I expect you to be thoroughly engaged in the classroom and related activities. Throughout the semester, I will bring to your attention relevant lectures, exhibitions, documentaries, discussions, films and other events. Please feel free to do the same. When possible we can organize group outings to attend such events in Philadelphia.

January 17

  • Introduction:
  • Elizabeth Alexander, Venus Hottentot

    January 19
  • Barbara Christian, "But What Do We Think We're Doing Anyway: The State of Black Feminist Criticism"
  • Mary Helen Washington "The Darkened Eye Restored: Notes toward a Literary History of Black Women"

    January 24
  • Zora Neale Hurston, Their Eyes Were Watching God

    January 26
  • Their Eyes Were Watching God
  • Alice Walker, "Looking for Zora," In Search of Our Mother's Gardens

    January 31
  • Toni Morrison, Sula

    February 2
  • Deborah McDowell, New Directions for
  • Barbara Smith, "Towards a Black Feminist Criticism"

    Feb 14
  • Mae Henderson, Speaking in Tongues

    Feb 16 No class

    Feb 21
  • Nella Larsen, Quicksand

    Feb 23
  • Quicksand

    Feb. 28
  • Deborah McDowell, "Introduction" to Quicksand

    March 2
  • Ann DuCille, "Introduction" to The Coupling Convention

    March 7-9 SPRING BREAK

    March 14
  • Pauline Hopkins "Of One Blood"

    March 16
  • Hazel Carby, "Introduction" to Reconstructing Womanhood

    March 21
  • Carol Boyce Davies, Migratory Subjectivities

    March 23
  • Ama Ata Aidoo, Our Sister Killjoy

    March 28
  • Audrey Lorde, Zami

    March 30
  • ATTEND THE SEXUALITY AND VIOLENCE CONFERENCE

    April 4
  • Film: Daughters of the Dust

    April 6
  • bell hooks and Toni Cade Bambara on "Daughters of the Dust"

    BLACK FEMINIST "EVENTS"
    GROUP PRESENTATIONS

    Each group will not only discuss the relationship of each of the events to the issues we have considered, but will also tell us about the reception of each text. In other words, groups are required to locate reviews of the texts and/or the press surrounding the texts, production or event, in both the main- stream and the African American and feminist press.

    April 11

  • The Black Woman Anthology

    April 13
  • For Colored Girls

    April 18
  • Homegirls Anthology

    April 20 No Class

    April 25
  • The Color Purple

    April 27 LAST CLASS -- WRAP UP.


    This page was prepared by Audrey Mickahail at the Center for Electronic Projects in American Culture Studies (CEPACS), housed at Georgetown University, under the direction of Randy Bass, Department of English.


    CEPACS

    Randy Bass, Director